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A-Designs:
A Designs offers five new single channel mic pre's for the 500 series. Chose from the P-1, the EM Silver, the EM Gold, the EM Red, and the EM Blue.Website: A-DesignsSingle Channel Mic Preamps
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A-Designs:
A Designs offers five new single channel mic pre's for the 500 series. Chose from the P-1, the EM Silver, the EM Gold, the EM Red, and the EM Blue.Website: A-Designs
ART (Applied Research Technology:
Applied Research and Technology has many affordable single channel mic pres, including the Tube Mp (in many variations), the Tube Pac (combination mic pre/compressor), and the Pro Channel (combination mic pre/compressor/eq).Website: ART (Applied Research Technology
Avalon Design:
Avalon Design offers the M5 pure Class-A preamp with the combined technologies of low ratio transformer balanced inputs coupled with high-voltage cascade FET twin bipolar discrete Class-A amplifiers.Website: Avalon Design
Blue Microphones:
Robbie is Blue Microphone's single channel Class-A discrete tube microphone and instrument preamplifier. It is an example of simplicity of design and purity of sound. Website: Blue Microphones
Chandler Limited:
The Germanium preamp/DI and the Germanium 500 are two single channel mic pre offerings from Chandler Limited. The Germanium 500 is a 500-series compatible Germanium preamp. The Germanium preamp/DI is Chandler's warmest, most organic, vintage sounding preamp yet.Website: Chandler Limited
Focusrite:
Focusrite has a variety of single channel mic pre's to suit your needs, from the Liquid Channel to the TrakMaster Pro, ISA One, and the Red 1.Website: Focusrite
GML (George Massemburg Labs):
The GML 2032, from George Massenburg Labs, is a one channel, multi-input, mic pre, filter, and parametric equalizer.
Incorporating the
renowned 8300 preamplifier and reference-standard 8200 equalizer, the Model 2032
inherits over thirty years of GML engineering excellence. This transparent Class-A
discrete design with internal supply delivers reliability, musicality, and precision.
Website: GML (George Massemburg Labs)
Grace Design:
The Grace Design M101 is a high-end mic preamplifier with a price that makes it available to the masses. Consider the new audio signal path with 0.5% precision metal film resistors, 12 position gold plated rotary gain switch, a built-in universal AC input module, and an exclusive RIBBON mic mode.Website: Grace Design
Great River:
The ME-1NV single channel mic pre modernizes British design. This desktop/rackable preamp offers the ability to fine-tune gain effects like the 1970's ers 1073's. Website: Great River
Groove Tubes:
Groove Tubes offers two fine single channel microphone preamplifier's. The Brick is a tube mic pre for the studio with Phantom power, and true transformer output, plus an available gain of +55db. The ViPRE is an award winning all tube mic preamp with unique and meaningful features that no other preamp offers. Eight-tubes, fully-differential (balanced) signal path with 75dB total gain via precision 1dB and 5dB stepped attenuators, four variable transformer impedances PLUS two balanced-bridged inputs, five variable rise-time settings, precise VU meter with five viewing options, separate +4dB and -10dB transformer outputs, microphone and +4dB line level balanced inputs. Website: Groove Tubes
Manley Labs:
The Manley all-tube mono microphone preamp is primarily intended for use with modern capacitor (condenser) microphones. Now, 40 to 60 dB of gain, enough for most ribbon mics, are selectable in precise 5dB steps by varying the amount of overall negative feedback on the GAIN switch. This is allows you to change the slew rate (speed), placement, and tonal balance of the sound from mellow and "tubey-er" through to faster, punchier and more aggressive. Website: Manley Labs
Presonus:
The TubePRE is the highest quality vacuum tube preamp in its class. Loaded with PreSonus award winning dual servo preamplifier, the TubePre affordably delivers low noise tube warmth for vocals, guitars, bass guitars, synths and sound modules.
Website: Presonus
Rane:
The Rane MS 1b Mic Stage preamplifier provides the answer when you need just one microphone input in an otherwise line-level world.Website: Rane
Samson Audio:
A true tube pre-amp that provides pure signal and silky sound. It features variable gain and variable tube process saturation for adding harmonics. Regardless of which mic you use, it will maintain detail and transparency.Website: Samson Audio
SSL (Solid State Logic):
The X Logic X-Rack mic/amp module offers a pure and versatile input section with a choice of three separate input amplifiers; Mic amp, front panel Instrument input or Line input. Designed for transparency and versatility with a set of High and Low Pass Filters, phase reverse and everything you need from a very classy workhorse.Website: SSL (Solid State Logic)
Studio Projects:
The Studio Projects VTB-1 is the ultimate in low cost mic preamplifier technology. Incorporating true class A/B switching, the VTB-1 is a totally discrete circuit. Unique to the VTB-1 is the "Tube Drive". The Tube Drive is a variable drive to a 12AX7, that allows the user to blend as little, or as much of the Tube Drive they want. Website: Studio Projects
Summit Audio Inc.:
The 2BA-221 mic and line module features Summit Audio's remarkable continuously variable impedance microphone preamp. With microphone level, line level, and Hi-Z instrument inputs, the 2BA-221 utilizes separate and individually controlled solid state input controls to mix the microphone input with the Hi-Z or line input into the variable vacuum tube output. Using the variable mic impedance and variable solid state and tube stages gives you unprecedented sonic control of anything you throw at it, be it mic level, line level, or instrument level.Website: Summit Audio Inc.
True Systems:
The P-SOLO is a single channel version of the acclaimed TRUE Systems’ family of microphone/instrument preamps. The P-SOLO uses the same design and sound of the TRUE Systems Precision 8 and P2 Analog preamps.Website: True Systems
Universal Audio:
The SOLO/610 delivers the classic Putnam 610 console sound to the single channel format in a rugged, highly versatile form factor, at a price every project studio can afford. The all-tube SOLO/610 provides the silky vintage warmth of the original UA 610 console used by artists ranging from Sinatra to Van Halen. The SOLO/110 brings the "ultra fidelity" and tonal variety of UA's flagship Precision 110 series mic preamplifiers to the single channel format in a rugged, highly versatile form factor at a price every project studio can afford. The Class A Precision SOLO/110 delivers uncompromised dynamics and clarity while still sounding warm and friendly with an all-discrete, class-A, direct-coupled circuit path.Website: Universal Audio
Vintech Audio:
The Vintech X73 is a Class A, all discrete, transformer balanced microphone preamplifier with equalizer. It is built with the same circuit design and components as the classic Neve 1073 module. The X73i features the same Class A mic pre as the X73 with all of the same eq parameters plus additional mid range frequencies, selectable input impedance, 1/4 inch D.I. on front panel, transformer balanced mic and line inputs, phase reverse, phantom power switch, eq switch, 70db of gain, quality Grayhill rotary switches, custom machined aluminum knobs, plus many other features. Our new X81 Class A features the same great microphone preamplifier as our X73, but with a more comprehensive four band equalizer with "Q" adjustments on the two mid range frequencies. We utilize the same class A amplifier designs found in the Neve 1073 module throughout our X81 Class A. The equalizer section features ten low mid frequency points, 10 hi mid frequencies, 5 frequecy choices on both the low and high shelving adjustments. There is also a high pass filter, a D.I. and an ouput strength meter.Website: Vintech Audio
ADK:
The AP-1 is a single channel "platform" offering ultra-flexibility. Match the "color" of the mic and the "color" of the source material without using EQ. Open-ended architecture offers fundamental control of tonal coloration and tonal textures. Website: ADK
Little Labs:
The Little Labs LMNOPre microphone preamplifier features include a f
ully discrete gain stage with up to 74dB of clean, quiet, gain with a maximum level out of 31dB, a
completely differential circuit topology from input to output, l
ow frequency resonance control (utilizing a unique polystyrene capacitor passive circuit topology) allowing a controlled resonance creating a tune-able proximity effect without being in close proximity of the microphone. Plus many other features.
Website: Little Labs
VintageDesign:
The single-channel M73Dmk2 features the same class-A microphone preamp found in VintageDesign’s DMPmk2 and CA73/81mk2. The instrument input features a true high-impedance FET that feeds the input-transformer via a class A driver stage.
Website: VintageDesign
D.W. Fearn:
The Fearn VT-1 offers an all vacuum-tube design, c
lean and airy high end,
fat low end,
unsurpassed warmth, transparency, and musicality, and a
Lo-Z input position for superior performance with transformerless mics.
Website: D.W. Fearn
Speck Electronics:
The "MicPre 5.0" is a complete single channel microphone preamp that offers features and flexibility for use in the most serious recording applications.
The signal path consists of a matched discrete transistor front-end, premium IC's, and transformer output stage. With the push of a button, the MP5.0 can change from an "Transformer-Balanced" output to a "Active-Balanced" output.
The compact 1/2 rack format of the MP5.0 can easily be rack mounted and combined with the Speck Model ASC equalizer to create a highly functional outboard channel strip.
Website: Speck Electronics
Tab Funkenwerk:
The AMI Tab-Funkenwerk V78 single channel mic pre is loosely based on the historic TAB V-78 modules. This tube and transformer based mic pre will allow you to optimize the input impedance of your mic pre to the output impedance of any microphone or any DI. Website: Tab Funkenwerk
Earthworks:
The Earthworks 1021 single channel preamp is an ultra clean preamp using Zero Distortion Technology. It offers the lowest noise of any preamp on the market. All discrete components are used.Website: Earthworks
John Hardy:
The M-1 mic preamp is among the finest mic preamps in the world. It provides the accuracy and transparency that is missing in other mic preamps. No matter what your application, the M-1 Personal Mic Preamp will provide superior sound quality. The world's best input transformer (Jensen JT-16-B), best op-amp (990 discrete op-amp) and the elimination of all capacitors from the signal path combine to provide the highest performance.
Website: John Hardy
Martech (Martinsoung):
Silky top, absolute clarity, knockdown punch, and fat bottom end are what make the Martech MSS-10 different than the rest.. The real magic of the MSS-10 is that it does absolutely nothing. With nothing to cheat your audio you’ll hear it like never before. The MSS-10 delivers the body and soul of the performance with astonishing realism and immediacy.Website: Martech (Martinsoung)
M-Audio:
If you’re looking for a lot of preamp on a tight budget, you’ll see where this popular product gets its name. Affordability and performance make the Audio Buddy one of the most popular mic preamps in home recording today. You get professional microphone support along with line inputs impedance-matched for ideal performance with electric guitar and bass.Website: M-Audio
Phoenix Audio:
The DRS-1 Mic-Pre/DI uses a Class A output stage (DSOP-2), but also has transformerless Class A, discrete mic Input technology which gives a "valve-like" sound. It also incorporates a high input impedance DI circuitry.
Website: Phoenix Audio
Sonifex:
The RB-MA1 consists of a low noise microphone pre-amplifier for converting mic level signals to line level, or for driving long lines from microphones to mixing equipment. Website: Sonifex
SPL (Sound Performance Lab):
The Gainstation 1's
compact design allows for free placing outside of a rack (e. g. close to the microphone). Musicians can place the GainStation 1 easily on a rack or amplifier. To accommodate portability, the optionally available SPL GainBag ensures safe transport of the GainStation 1 and offers additional storage for cables and an average-sized microphone. For more permanent installations, up to four GainStation 1's can be rack-mounted in one optionally available 3-unit mounting frame.
Website: SPL (Sound Performance Lab)